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ИНТЕРНЕТ24 янв. ИНТЕРНЕТ19 янв. Imogen Heap & Clams Casino) I Smoked Away My Brain (I’m God x Demons Mashup) (feat. A crate. · Clams Casino helped define the sound of the lipa-fv.ruhout the decade, the New Jersey-based producer—born Michael Volpe—specialized in beats booming and vast, and lighter than air. How did you know? · During yesterday's Yams Day livestream, A$AP Rocky previewed an upcoming new song produced by longtime collaborator Clams Casino. ИНТЕРНЕТFumé Mi Cerebro (Soy God X Demons Mashup) (part. Imogen Heap & Clams Casino) ¿Como supiste? г. All . г. Es lo que siempre he querido It's what I've always wanted Nunca podría tener demasiados de estos .

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Do you remember actually cooking up that specific beat before getting it into his hands? I had the melodic stuff sitting around a little bit. I knew it was a special one. I had half of the beat kind of put away. I messed around trying to do a different arrangement, and I think he was just stuck on the original demo. There was something about it; he kept going back to that.

He was right about it. I tried some other things out, but he just wanted that original version, which is cool looking back on it.

What stands out about his artistry? What do you think about its slow burn onto the charts? From the beginning, I knew it was a really special thing and he did too. He was really excited about it. We had the freedom to do exactly what me and him wanted to do.

People really connected with that. Was there a moment you realized the record was taking off, and saw the fan reaction really moving? I started seeing headlines, and all of a sudden, it was getting jumps in streams. I started seeing things online with people saying it was going crazy on TikTok. It just slowly started building. I was happy and really excited and proud of that. I always knew it was special. The beginning of that idea came from something I made for myself. An instrumental solo project — that was the first thing when I was starting on my own new stuff.

So, a few months after the first was released. He loved it, and he immediately started teasing it online. Clams Casino helped define the sound of the s. Throughout the decade, the New Jersey-based producer—born Michael Volpe—specialized in beats booming and vast, and lighter than air. Super dramatic and dark. That was embedded in my brain from a young age.

The moody atmosphere of Outworld followed him into real life as he fell in love with the works of East Coast luminaries like Busta Rhymes and Mobb Deep.

At 14 years old, Clams bought himself a Yamaha SU sampler and tried to get in on the fun. By 16, he was creating his own remixes. Cloud rap, as we know it to be, had been born.

As a starkly independent artist, Clams was weary of what signing to a record label could mean for his freedom. I could tell they understood me and where I fit in.

He cut back on sample usage, taught himself how to play a handful of instruments, and recruited session players. Fostering this new creative mode pushed Clams past his comfort zone on his latest project, Moon Trip Radio.

I want to make sure I can put out timeless music. He keeps a low profile and creates music at his leisure while raising his young son. From Danny Brown to the late Lil Peep , his highly imitated sound is sought out by a wide range of talent.

DJBooth : Take me back to the beginning. When did you first fall in love with music? Clams: I played drums when I was in middle school. That was the first instrument I messed around with.

I listened to a lot of alternative rock stuff, but as I entered fifth or sixth grade, I started listening to more hip-hop. I started thinking about making beats in high school.

It was entry-level, but you could do a bunch of cool stuff on it. This was before I had a computer or any software. My Downloaded Acapellas. My Tracks More. My Favourite Tracks. My Downloaded Tracks. My Comments More. My Comments On Tracks. Comments On My Tracks. My Comments On Loops. Comments On My Loops. My Comments On Acapellas. Comments On My Acapellas. Log Out. Use the advanced search to find others. Advanced Search. Time Sig 4x4 2x4 3x4 6x8 Any Time Signature. Desc Asc. Reset Search For Loops.

Loops 1 - 25 of

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I left him with four beats, and he wound up using three of them. I played the beat, and he thought of a hook after hearing it for a minute. The original song is moody and spooky, and the texture of the guitars was crazy. Rocky was gonna use it for his first album [ Long. So the beat was already a few years old. Eventually, Columbia reaches out, and you sign a deal before releasing your debut 32 Levels.

When did you first sign with Columbia and begin crafting the album? I signed with Columbia around The idea came about because my music can be hard to place sometimes. I figured it was time for me to make an album of my own because then it would all make sense, and all fit on my terms. How did you handle the transition from mostly using samples to working more with live instruments? I was already in the process of switching from finding samples and clearing them to making my own sounds and recording them in I can play a few instruments roughly, and I know how to process the sounds and put effects on them.

It was good input and a lot more freedom than I expected. Also, there were plenty of things I had released on my own that I thought were good enough, but Columbia would push me creatively to make stuff better. How did the two-year break after Instrumentals 4 benefit the creation of Moon Trip Radio? From the outside, it might look like a break, but I never stopped working. The experience is the biggest change, obviously. The only thing you can do is take things away from living.

I feel that Moon Trip Radio is cohesive and a strong representation of my musical identity. How do you feel about that term? Subscribe now to keep reading and get access to the full archive. Type your email…. Retrieved January 9, Archived from the original on September 7, Retrieved January 10, Los Angeles Times. MSN Music. Archived from the original on June 24, Retrieved June 29, Archived from the original on January 24, Archived from the original on January 5, Retrieved January 5, Archived from the original on June 2, The Independent.

Archived from the original on March 21, Retrieved January 21, Archived from the original on January 12, Slant Magazine. Retrieved January 7, Archived from the original on January 18, Archived from the original on December 7, Complex Networks.

Archived from the original on December 12, Archived from the original on December 11, Retrieved December 10, Archived from the original on December 21, Archived from the original on January 25, Retrieved January 23, Archived from the original on April 19, Retrieved April 17, April 30, Archived from the original on May 2, Retrieved May 1, Recording Industry Association of America.

Retrieved October 22, Archived from the original on September 6, Retrieved October 1, Archived from the original on January 19, Hung Medien. Retrieved April 28, Retrieved November 1, Retrieved June 23, GfK Entertainment Charts. Polish Society of the Phonographic Industry. Retrieved April 2, Retrieved April 6, Official Charts Company. Retrieved January 20, Retrieved February 2, Retrieved March 10, Archived from the original on December 17, Retrieved December 13, Archived from the original on July 7, Retrieved July 20, Australian Recording Industry Association.

Retrieved November 6, Music Canada. IFPI Danmark. Retrieved November 9, Retrieved May 29, Archived from the original on April 6, British Phonographic Industry. Retrieved January 26, External links [ edit ]. Discography Awards and nominations.

ASAP At. Authority control databases MusicBrainz release group. January 15, Hip hop cloud rap [ 1 ]. ASAP Joey Fatts Lord Flacko Delgado [b]. Weekly charts [ edit ] Chart performance for Long.

Майкл Волп англ. Является новатором клауд-рэпа [ 3 ]. Официальный дебютный мини-альбом Rainforest был выпущен на лейбле Tri Angle 27 июня года [ 12 ]. Дебютный микстейп Instrumentals был выпущен 7 марта года [ 13 ] , после чего 5 июня года был выпущен второй микстейп Instrumentals 2 [ 14 ] , а 18 декабря года третий — Instrumentals 3 [ 14 ].

Микстейпы были доступны бесплатно на сайте артиста. Волп внес партитуру для Locomotor , работа хореографии его двоюродного брата Стивена Петронио, выпущенную 4 апреля года. После чего, 26 июня года , был выпущен четвёртый микстейп Instrumentals 4. Музыка Волпа была описана как «[объединение] обычных хип-хоп барабанов, чувствительная для слуха off-to-the-side мелодия, и передозировка странно движущейся атмосферы» [ 17 ].

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